![]() ![]() Adjustment: +/-12dB at 20Hz and 8kHz, +/-6dB at 400Hz and 2kHz.SNR: Greater than 114db, unweighted, referenced to 2V RMS.THD: Less than 0.0008%, 20Hz-20KHz, at 2V RMS in/out, pots centered, active stage enabled, less than 0.005% at any potentiometer setting.Their higher-end gear features high-quality C-core transformers, extensive power supply filtering, and precision low-noise regulation. Schiit believes in innovative designs including Multibit DACs combined with a unique DSP-based closed-form digital filter, discrete analog amps, current feedback circuits, as well as tube and hybrid amplification.Īll their products are very sturdily constructed and housed in heavy aluminum and steel enclosures. “…we design and produce our stuff here in the USA, with the vast majority of parts cost going to US-based companies manufacturing in the US… it means that our chassis guys are right over the hill in the San Fernando Valley, our transformers are made here in California, our boards come from the east coast (of the USA), and we design, assemble, and test everything here in Valencia, California.” – Schiit Jason Stoddard and Mike Moffat founded Schiit Audio in 2010, with a focus on headphone audio components, proudly designed and made in the US. It’s also meant to easily tailor the sound you listen to. It’s designed to be silent and transparent within a system, including a relay bypass, current-feedback gain stage, and passive filtering. The + replaces the original Mini and is intended to be audibly superior. The Loki Mini+ is Schiit’s second foray into creating a four-band tone control device. Go ahead and make your system sound exactly the way you want it… Don’t spend thousands on cables and tube amps-just turn a knob and make your system sound exactly the way you want it.” – Schiit The Mini+ is simply labeled LOKI on the front panel. Loki Mini+ lets you adjust for these imperfections… Some speakers and headphones are a bit bright or a bit dark. Some recordings aren’t paragons of tonal purity. Is everything you listen to recorded perfectly? Of course not. And yeah, we know that tone controls have kinda fallen off the planet for the last few decades… EQ and DSP don’t have to be four-letter words. Some folks just want to tweak the sound of their gear to address any shortcomings or adjust the overall tonal balance without purchasing a whole new pair of headphones to accomplish it. To be fair, not all music lovers are quite so fanatical. So why is the concept of ‘EQ is bad’ still so pervasive? We often swap gear to achieve a final sound that best matches our tastes. We audition and choose different audio components and headphones based on how they sound, and they certainly don’t all sound the same. Tailoring the sound fell out of fashion.īut we enthusiasts alter how the combined total of our equipment sounds every day. To be considered ‘high-end,’ components had to eschew any features beyond a power switch and volume control. Suddenly only ‘low-end’ devices would include tone controls, purportedly to fix their ‘low-end’ sound. Then the concept of musical purity caught hold in the audiophile world. Almost every amplifier had a treble knob, a bass knob, and a loudness button. In the early days of hi-fi, tone controls were ubiquitous. ![]() ![]() The wall-wart power supply is quite large.The rear-mounted power switch isn’t conveniently located. ![]()
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